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ForMySir.com – Unique, Classic, Vintage
  • Fanny Hill print with quote This print came from someone's private collection.  The rest of the prints I have from this estate are also from various editions of Fanny Hill by John Cleland.  I'm unsure of the edition but this seems to be a print from the 1920-30s.
  • Fanny Hill print with quote This print came from someone's private collection.  The rest of the prints I have from this estate are also from various editions of Fanny Hill by John Cleland.  I'm unsure of the edition but this seems to be a print from the 1920-30s.
  • Unknown Print [Malon Blaine?] This print came from someone's private collection.  The rest of the prints I have from this estate are from various editions of Fanny Hill by John Cleland.  This appears to be by Malon Blaine but I don't have a way of verifying that.  I know he did illustrate a copy of Memoirs of a Coxcomb (also by Cleland) [Privately Printed, Planet Press New York, 1931] which matches the paper and printing style of the period.
  • Venus in Furs, Leopold von Sacher-Masoch (Privately Printed for Sylvan Press, New York 1947, limited "large paper edition" #289/1499) 8.5" x 10.75", 140pp, hardbound in black pebbled cloth with gilt titles and decorations on front and spine, original mylar dust jacket, frontispiece with tissue guard, bookplate "from the library of Louis T. Milic" Venus in Furs (German: Venus im Pelz) is a novella by Leopold Ritter von Sacher-Masoch (1836-1895), an Austrian writer and journalist. It is now his best known work and because of its themes the term masochism is derived from his name, coined by the Austrian psychiatrist, Krafft-Ebing. The novel was to be part of an epic series that Sacher-Masoch envisioned called Legacy of Cain. Venus in Furs was part of Love, the first volume of the series. It was published in 1870. The novel draws themes, like female dominance and sadomasochism, and character inspiration heavily from Sacher-Masoch's own life. Wanda von Dunajew, the novel's central female character, was modelled after his mistress Baroness Fanny Pistor.  In December 1869 the two signed a contract making him her slave for a period of 6 months. In 1873, after the publication of Venus in Furs, Sacher-Masoch married Aurora von Rümelin who he pressured to continue the lifestyle he wrote about in his book.  After 10 years they divorced.  Rümelin, using the pseudonym of the books title character, "Wanda von Dunajew", wrote Meine Lebensbeichte (My Life Confession) published in 1906.  It detailed Sacher-Masoch's private life and her relationship with him. During his lifetime, Sacher-Masoch was well known as a man of letters, a utopian thinker who espoused socialist and humanist ideals in his fiction and non-fiction. Most of his works remain untranslated into English. Until recently, his novel Venus in Furs was his only book commonly available in English. Bookplate: Louis Tonko Milic (1922-2003), was a Croatian by birth. He attended school in France and moved to New York with his mother and sister in 1936 at 13. He received his M.A. and Ph.D. in English and comparative literature from GSAS in 1950 and 1963, respectively, with time out for WWII, during which he learned Arabic and was a translator in Iran for the U.S. Army Air Corps. Milic taught at Teachers College from 1955–69. From 1969–78, he chaired the English department at Cleveland State University (CSU) and served on its faculty until his retirement in 1991. His studies focused on 18th-century literature. Milic’s work, A Quantitative Approach to the Style of Jonathan Swift, was among the first studies to use computer analysis in the humanities. He authored three books on stylistics, edited a number of other volumes and published more than 50 scholarly articles. Milic founded and presided over the Cleveland Eighteenth-Century Society. At CSU, he co-founded and co-edited The Gamut, a quarterly journal of ideas and information, which was published for 12 years, until 1992. Milic supported the CSU Poetry Center and helped make it an organization of national prominence. American Council Learned Societies and International Business Machines Corporation fellow, 1967; National Endowment of the Humanities fellow, 1980.
  • White Rebenque 23" long, flap is 12", white leather with rawhide/sinew stitching and decorations, slight yellowing from age. Beautiful hand-made white leather rebenque 50+ years old. It has decorative rawhide work on the handle and on the strap, using two colors of rawhide. The handle is textured by wrapping a wet cord around it, leaving an imprint on the leather. Rebenque is the name in Brazilian Portuguese for a type of whip used by gauchos in South America. Especially in Argentina, it is the traditional riding, fighting, and punishing whip of the gaucho. It consists of a rawhide wrapped wooden handle with a thong made of a leather strap a little longer than the handle. The wide strap made the rebenque an instrument less severe on the horse than the European riding crop. As the gaucho was never far from the horse, the rebenque was always on him. When not in use, he made a knot with the strap and held the rebenque lazily by the wrist strap with the middle fingers of his hand, or hung it from the handle of his facón knife (as he used the large knife almost horizontally at his back, held by the belt or waistband, the handle protruded from his right side). The rebenque was used also for fighting, as a weapon by itself, when the fight did not merit a knife, or with the strap rolled on his left hand and the handle hanging, as a secondary weapon to the knife in his right hand. Of course, it was also used for domestic punishments, and for quasi-judicial chastisement. A couple of lashes with the rebenque on the bare legs were widely used as a punishment for children, even in the urban areas.
  • Dexter no. 11 Wallpaper Seam Roller 6" long, sturdy
  • Camel Brand Razor Strop 24" x 2.5", leather strop, starting to split in middle at fold states "Camel Brand" and lower states "Certifyd | Sanitary Select | Will Beat 'em All Like Certified Checks | 100% Positive Value | Made in U.S.A. | 124"
  • A-1 Razor Strop 24" x 2.5", leather strop states "A-1 EXTRA HEAVY SHELL | Finest Selected | Hand Finished" at bottom states "188 | Peter J. Michels, Inc. Brooklyne - N.Y."
  • Fid from India 14.25" long, 1.5" at widest part, unknown wood A fid is a conical tool made of wood or bone. It is used to work with rope and canvas in seamanship. A fid is used to hold open knots and holes in canvas or to open the "lays", or strands of rope, for splicing.  This fid came from India.
  • Out of stock
    Fid from India 13.5" long, 1.5" at widest part, unknown wood, with original rope A fid is a conical tool made of wood or bone. It is used to work with rope and canvas in seamanship. A fid is used to hold open knots and holes in canvas or to open the "lays", or strands of rope, for splicing.
  • La Grande Diablerie, poem du XVe siècles, by Éloy d'Amerval (George Hurtrel, Artiste-Édueur, Paris, 1884, #152/1000 hand signed by publisher) 5" x 6.75", 216pp, in original published state, french wraps with loose hardcover/case, red with gilt decoration, frontispiece and 3 full page engravings by Paul Avril protected by tissue guard, images throughout, good minus condition, spine cover is sunned, binding is loose and splitting in places Eloy d'Amerval (fl. 1455 – 1508) was a French composer, singer, choirmaster, and poet of the Renaissance. He spent most of his life in the Loire Valley of France. From his poetic works, the long poem Le livre de la deablerie, it can be inferred that he knew most of the famous composers of the time, even though his own musical works never approached theirs in renown.  This poem, considered invaluable to music historians, recounts a dialogue between Satan and Lucifer, in which their nefarious plotting of future evil deeds is interrupted periodically by the author, who among other accounts of earthly and divine virtue, records useful information on contemporary musical practice. In addition to listing musical instruments, he lists who he considers to be the great composers of the time: they are residents of Paradise in his poem, even though several were still alive in 1508, the date of its composition. Édouard-Henri Avril (1849-1928) used the pseudonym “Paul Avril” for his erotic work. He was a French painter and commercial artist. His career saw collaboration with influential people like Octave Uzanne, Henry Spencer Ashbee and Friedrich Karl Forberg. He is one of the most celebrated erotic artists of his age. Avril was a soldier before starting his career in art. He was awarded with the Legion of Honour for his actions in the Franco-Prussian War.
  • The Tunning of Elynour Rumming, by John Skelton Laureat, "with decorations from the drawings in colour and line by Pearl Binder" (Fanfrolico Press, London, 1928, #433/550 hand written limitation) 7.75" x 11.25", 47pp, hardbound, coarse fiber on boards (burlap?), hand laid paper, artfully done, in good plus condition for age and for the unconventional binding materials The Tunning of Elynour Rummyng is a long raucous poem written by English poet John Skelton(1463-1529). The poem was first printed by Richard Lant sometime in 1550 and presents what many would consider disgusting images of rural drinking and drunkenness. For all its gritty description, Skelton has modeled the poem on Church liturgy of that time. The verse form itself closely resembles a liturgical chant. Elynour is a character in the poem who runs a "public house," or pub. Many pubs in England had the look of a home both inside and out. In the early 16th century, the male or female owner of the pub not only sold the ale, but also probably brewed it. Elynour easily acquires all her ingredients for quite acceptable ale from the local farmers in southern England where her pub was apparently located. Nevertheless, the kind of hard language which is found in the poem, is not uncommon as "bar talk." Today, much like in the 16th century, many brands of beer have been derisively referred to as "pig piss" perhaps because of beer's pale yellowish color and its bland and very slightly bitter taste. The poet says that chickens roost over Elynour's fermentation tank and drop their excrement into the froth. The yeast will sometimes form a white cap on the fermenting beer. Alcoholic beverages are also often associated with sex and indeed will sometimes reduce the inhibitions of men and women. However, Elynour advises her female customers that the ale will make them more desirable to their husbands, in part because she has the chicken excrement in the ale. Fanfrolico Press, Australia’s first ‘private press’ in the arts-and-craft tradition, was founded by Jack Lindsay, P. R. Stephensen and John Kirtley, originally in North Sydney in 1923. The press specialized in printings artful, limited editions of classics and forgotten works that were suited to the extravagant style of artist like his father, artist, sculptor and author Norman Lindsay who illustrated many of their books. Fanfrolico was scornful of modernism and with its florid style determinedly backward-looking. They did surprisingly well, despite the lack of business expertise of their young, ambitious "bohemian" owners, eking out a living despite the risky move to London in 1926 and upheavals in ownership that saw the departure in 1927 of Kirtley, and then Stephenson in 1929.  Sometime in 1930 they published their last book.  
  • An Exact Reprint of the Roman Index Expurgatorius. The only vatican index of this kind ever published., Edited, with a preface, by Richard Gibbings, A. B., scholar of Trinity College, Dublin. (Milliken and Son, booksellers to the university; William Curry, Jun. and Co.; J. G. and F. Rivington, London, 1837) 4.25" x 6.75", 608pp, hardcover, red boards with gilt titles on spine, Index Expurgatorius title page in red and black, former library, library bookplate on front pastedown "The Reynolds Library, 1884", stamps "Literature Division", preface in english, text in latin, professionally repaired with binders tape This is an exact reprint of the Index Expurgatorius of 1608.  Aside from the extensive and scholarly preface written in English, the index itself is written in the original latin. The Index Expurgatorius is a list of books that the Roman Catholic Church forbade its members to read unless certain passages condemned as dangerous to faith or morals were deleted or changed. This is different from the Index Librorum Prohibitorum which was a list of publications deemed heretical, or contrary to morality and thus Catholics were forbidden to read. In 1571, a special congregation was created, the Sacred Congregation of the Index, which had the specific task to investigate those writings that were denounced in Rome as being not exempt of errors, to update the list of Pope Pius IV regularly and also to make lists of required corrections in case a writing was not to be condemned absolutely but only in need of correction; it was then listed with a mitigating clause (e.g., donec corrigatur (forbidden until corrected) or donec expurgetur (forbidden until purged)). Several times a year, the congregation held meetings. During the meetings, they reviewed various works and documented those discussions. In between the meetings was when the works to be discussed were thoroughly examined, and each work was scrutinized by two people. At the meetings, they collectively decided whether or not the works should be included in the Index. Ultimately, the pope was the one who had to approve of works being added or removed from the Index. It was the documentation from the meetings of the congregation that aided the pope in making his decision. This sometimes resulted in very long lists of corrections, published in the Index Expurgatorius, which was cited by Thomas James in 1627 as "an invaluable reference work to be used by the curators of the Bodleian library when listing those works particularly worthy of collecting".
  • Stag Night, by Phillips Rogers (Prentice-Hall, Inc, New York, 1946) 6" x 8.5", 230pp, hardcover with DJ, red boards with black titles on spine, DJ in fair shape, yellowing throughout, binding good [from Dust Jacket] "Stag Night is a revealing novel about an affair that the men reminisce over for a year and their wives wonder about--the annual Gentleman's Dinner at a country club." "The entire action of Stag Night takes place in one evening at a country club.  It begins with the arrival of a tightly girdled whisky-loving Mrs. Riordan ("Fatima") who has for many years given her Dance of the Seven Veils at the Gentleman's Dinner.  It ends with tactful and wise Heinz, the head waiter, bidding the police goodnight.  In between is depicted the frenzied activity of the chef and the dour bartender, the ribald behavior of some of the stags, the bewilderment of an innocent young refugee dancer, and the mounting excitement as the moment nears for the showing of lewd movies.  Tragedy in a grotesque form stalks the evening and at the climax the diners receive the surprise of their lives — and we don't mean the cops in the hall."
  • Louisville Slugger Softball Bat 33", 2.5" wide "Louisville Slugger | 1255 | Hillerich & Bradsby | Made in USA | Louisville, KY | Powerized"
  • Rattan Cane 31.5"
  • Bamboo Cane 36", bamboo
  • Tiger-Striped Cane wooden with black stripes and silver band near handle