• Jakub Casanova: Memoiry (Czech: Cassanova's Memoirs), Giacomo Casanova (Alois Hynek, J. Rokyta, Praze, n.d. [c. 1890-1900]) 8.75" X 6.25" 9 vol. in 8 books 275pp. [220pp 144pp in one vol.] 283pp. 358pp. 304pp. 356pp. 326pp. 345 i-v. Hardcover with beautifully decorated red cloth boards. Very good condition. Rare complete set with full color boards. Even more rare copy translated into Czech. Giovanni Giacomo Casanova (1725-1798) was an ecclesiastic, writer, soldier, spy, and diplomatist, chiefly remembered as the prince of Italian adventurers and as the man who made the name Casanova synonymous with "libertine." His autobiography, which perhaps exaggerates some of his escapades, is a splendid description of 18th-century society in the capitals of Europe. This is a beautiful Czech edition, 9 volumes in 8 books in publisher's original decorative cloth-binding. A beautifully bound edition. I am unable to find another complete set. The only other place I can find mention these books is in the Czech National Library.
  • Casanova's Memoirs, Giacomo Casanova, ed. Joseph Monét, illus. Vincente Minnelli (obscure at the time but later famous director and husband of Judy Garland) (Privately Printed by Exotica Club, Inc., New York, 1930) 9.75" X 6.5", 290pp., hardbound no DJ, red cloth boards with silver gilt titles on spine and a silver gilt figure of a naked woman on the front. Fore edge deckled. In fair condition, damage to top of spine, corners and spine bumped, binding is good. Giovanni Giacomo Casanova (1725-1798) was an ecclesiastic, writer, soldier, spy, and diplomatist, chiefly remembered as the prince of Italian adventurers and as the man who made the name Casanova synonymous with 'libertine.' His autobiography, which perhaps exaggerates some of his escapades, is a splendid description of 18th-century society in the capitals of Europe. As far as I can tell this is the only illustration work done by Vincente Minnelli, done soon after he moved to New York from Chicago and before he landed a steady job at Radio City Music Hall. In his autobiography he described the work as "in the Aubrey Beardsley style".
  • Casanova's Memoirs, Giacomo Casanova, ed. Joseph Monét, illus. Vincente Minnelli (Privately Printed by Exotica Club, Inc., New York, 1930, first edition thus) 9.75" X 6.5", 290pp., hardbound no DJ, red cloth boards with silver gilt titles on spine and a silver gilt figure of a naked woman on the front. Fore edge deckled. In good condition, binding is good. Giovanni Giacomo Casanova (1725-1798) was an ecclesiastic, writer, soldier, spy, and diplomatist, chiefly remembered as the prince of Italian adventurers and as the man who made the name Casanova synonymous with "libertine." His autobiography, which perhaps exaggerates some of his escapades, is a splendid description of 18th-century society in the capitals of Europe. As far as I can tell this is the only illustration work done by Vincente Minnelli [obscure at the time but later famous director and husband of Judy Garland], done soon after he moved to New York from Chicago and before he landed a steady job at Radio City Music Hall. In his autobiography he described the work as "in the Aubrey Beardsley style".
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     Casanova's Memoirs, by Casanova, Ed. Joseph Monét, illus. Vincente Minnilli (Willey Book Company, New York, 1946) 6.25"x9.25", 290pp, mylar protected DJ with some rips and tears over red boards with gilt lettering, boards loose but holding Giovanni Giacomo Casanova (1725-1798) was an ecclesiastic, writer, soldier, spy, and diplomatist, chiefly remembered as the prince of Italian adventurers and as the man who made the name Casanova synonymous with "libertine." His autobiography, which perhaps exaggerates some of his escapades, is a splendid description of 18th-century society in the capitals of Europe.  As far as I can tell this is the only illustration work done by Vincente Minnelli [obscure at the time but later famous director and husband of Judy Garland].  It was done soon after he moved to New York from Chicago and before he landed a steady job at Radio City Music Hall. In his autobiography he described the work as "in the Aubrey Beardsley style".
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