People have been writing about sex since they have been writing. Often they had to do this underground or in exile. Many books have misleading title pages, stating the book was published in Paris (where it was often legal) or simply saying “Private, for subscribers” which was also a away around the censorship laws. Sometimes books were masked as anthropological or scientific work. Often books were banned and publishers went to jail. Each work of erotica that survived is a part of a much neglected (and often shunned) history. Our collection spans the mere “bawdy” to the sexually explicit both in literature and in the artwork that accompanied that literature. We also have sexology studies into the “exotic” and “perverse” sexual practices around the world often presented in an intentionally salacious way.

  • Richard Payne Night & Thomas Wright, intro by Ashley Montagu (The Julia Press, Inc., New York, 1966) 9.5" X 6.5", 217pp + 196pp, paperback
  • Ed. G. Legman (Bell Publishing Company, New York, 1944) 9.25" X 6", 517pp, hardcover, green boards, no DJ, fair condition, title page detached.
  • Out of stock
    The Sex Factor in Marriage: a book for those who are about to be married, Hellen Wright, M.B., B.S., intros by A.Herbert Gray, M.A., D.D., and Abel Gregg, A.B., M.A. (The Vanguard Press, New York, 1937) 7.75" X 5.25", 172pp, hardcover with dust jacket, blue boards, good condition, some small tears in dust jacket. From d.j.: "This book contains very detailed information about the ways in which the physical intimacies of married life may be successfully and happily managed. It is addressed to those about to be married in the hope that it may save them from mistakes and sufferings which have darkened married life for thousands of couples."
  • Dagwood in "The Facts of Life" / Boots, by Luke Armine (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book. "Boots and Her Buddies" was an American comic strip that ran from 1924 to 1969. Some newspapers presented the strip under the shortened title "Boots". The character of Boots was variously labeled the "Sweetheart of the Comics", the "Sweetheart of America" and "Everybody's Sweetheart".
  • Berna Pantz Presents Blondie in "Lonely" / Moon Mullins in "Nerts", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
  • Berna Pantz Presents Blondie in "Lonely" / Moon Mullins in "Nerts", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
  • George and Harry in "Doing Things" / Iva Snatch Presents Ella Cinders in "Such a Grief", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
  • J. Wellington, Wimpy in "Back to his First Love" / That's My Pop, (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
  • The Frigidaire Salesman / Iona Douche-Bag Presents Tillie in "Foul Ball", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
  • Elmer in "Bad Boy" / Dixie Dugan in Artists and Models, (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
  • V Fuzzynuts Presents Barney Google in Horse Flesh / Letta Laye Presents Ella Cinders, (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
  • Passion and Criminality | a legal and literary study, Louis Proal, trans. "A. R. Allinson M.A. (Oxon.)" (stated "Charles Carrington, Paris, nd [c. 1930 pirated edition of the 1901 Charles Carrington edition]) 8.5" X 5.75", xxiv 679pp. Hardbound no DJ. Green boards. Fair condition, front boards loose but intact, otherwise binding is good some sunning to boards. Proal was a French judge at the Court of Appeals of Riom. This book records the history of various crimes of passion and their sociological and legal implications. Covered here are suicide, love and hate combined, seduction and desertion, jealousy, adultery, crimes of passion resulting from reading books of passion.. etc. There seems to be a great deal of writing on melancholy and suicide. There is a Foreword by the translator.
  • Collected Works of Pierre Louys, Pierre Louys (Shakespeare House, New York, 1951) 6.75" X 4.5", 628pp., hardbound in blue-grey buckram boards with simulated leather spine, gilt decorations (portrait of Shakespear) on cover. Fine condition, ribbon intact. Pierre Louys (1870 - 1925) was a French poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who "expressed pagan sensuality with stylistic perfection." This is a collection which contains Aphrodite, The Songs of Bilitis, The Adventures of King Pausole, and 9 of his short stories.
  • Ballands Done Into English from the French of Francois Villon, Francois Villon (Thomas B. Mosher, 1907) 7" X 4.5", 43pp, hardbound, grey boards with paper labels on cover and spine. Fair condition for age, spine loose on one side but holding, hinges good, fore and bottom edges deckled, owner's signatures on front pastedown François Villon (c. 1431_1464) was a French poet. Most of what is known about Villon has been gathered from legal records and gleaned from his own writings. He was a thief, killer, barroom brawler, and vagabond. He is perhaps best known for his Testaments and his Ballades. He was the most famous realist poet of the Middle Ages.
  • Dingle Hoofer and his Dog Aolph, (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled, cover detatched Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • Jiggs

    $20.00
    Jiggs, (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • Mr. Geezil, the "Shoe Cobbler", (np. nd.) 4.5" x 3", 8pp., pamphlet, stapled and taped Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • Stag Night, by Phillips Rogers (Prentice-Hall, Inc, New York, 1946) 6" x 8.5", 230pp, hardcover with DJ, red boards with black titles on spine, DJ in fair shape, yellowing throughout, binding good [from Dust Jacket] "Stag Night is a revealing novel about an affair that the men reminisce over for a year and their wives wonder about--the annual Gentleman's Dinner at a country club." "The entire action of Stag Night takes place in one evening at a country club.  It begins with the arrival of a tightly girdled whisky-loving Mrs. Riordan ("Fatima") who has for many years given her Dance of the Seven Veils at the Gentleman's Dinner.  It ends with tactful and wise Heinz, the head waiter, bidding the police goodnight.  In between is depicted the frenzied activity of the chef and the dour bartender, the ribald behavior of some of the stags, the bewilderment of an innocent young refugee dancer, and the mounting excitement as the moment nears for the showing of lewd movies.  Tragedy in a grotesque form stalks the evening and at the climax the diners receive the surprise of their lives — and we don't mean the cops in the hall."
  • Memoirs of Fanny Hill, John Cleland (Privately Printed, The Kamashastra Society, 1907 [likely pirated copy of the Paris Kamashastra edition, likely clandestinely printed in the US, c. 1920-30s]) 8.75" X 5.75", 287pp, hardbound no DJ, top edge dyed blue, fair condition, binding good, boards are loose but holding. Written while the author was in debtor's prison in London and first published in 1748, Fanny Hill is considered the first original English prose pornography, and the first pornography to use the form of the novel. One of the most prosecuted and banned books in history, it has become a synonym for obscenity. The title page is printed in black with green decorations. The contents mirror the Carrington versions of the book, reformatted and lacking the plates. The title is in black (not black and green as other Kamashastra editions) This leads me to believe that it is a likely US pirate of the Kamashastra (which is, itself a pirate of the Carrington version).
  • Amorous Fiammetta, Giovanni Boccaccio, introduction by Edward Hutton, trans. & illus. various unknown. (Rarity Press, New York, 1931 ) 9.5" X 6.5", 356pp, Hardcover no DJ, red cloth boards, botton and fore edges deckled. Good condition for age, a fading on spine, silver gilt lettering and decorations Originally titled "Elegia di Madonna Fiammetta" (The Elegy of Lady Fiammetta), this marvelous European romance was written by Giovanni Boccaccio somewhere between 1343 and 1344.  It is a first-person confessional monologue narrated by a woman and is considered the first psychological novel in a modern language and a precursor of stream-of-consciousness fiction. Lady Fiammetta, recounts how, although a married woman, she falls in love with a handsome young foreigner named Panfilo and, becomes his lover. Panfilo subsequently abandons Fiammetta and returns to his native land, where his father is said to be dying. When he fails to keep his promise to return, Fiammetta, describes her longings, her anguish, and her despair. A host of contradictory sentiments drive her to desperation and to an unsuccessful suicide attempt. After a time, Fiammetta resumes her futile wait for Panfilo. She finally resolves to seek him out in his native land. Disguising her true intent from her husband, she secures his promise to help her in this undertaking. Addressing an exclusively female audience, Fiammetta warns them about the vicious ways of men. Her whole narrative adds up to an indictment of men as both readers and lovers. Fiammetta has been variously described as a pathetic victim of male cruelty; an irresponsible fool of a girl; a sophisticated, cunning, and wholly disingenuous female; and, finally, a genuinely modern woman. Whatever judgment we make of her, Fiammetta stands out among medieval women as an ardent and outspoken feminist. Sometime around 1330 Boccaccio fell in love and married his "Fiammetta" who most believe is Maria d'Aquino (?-1382), a royal bastard, an illegitimate daughter of Robert the Wise, King of Naples and Count of Provence. He wrote about her and their relationship in several of his literary works. She is traditionally identified as Fiammetta. According to him, Maria's mother was a Provençal noblewoman, Sibila Sabran, wife of Count Thomas IV of Aquino. She was born after Countess Sibila and King Robert committed adultery at his coronation festivities in 1310, but was given the family name of her mother's husband. Her putative father placed her in a convent. In 1345 she was an accomplice in the murder of King Andrew, the husband of her niece and Robert's successor, Queen Joanna I. For this Maria was sentenced to death and beheaded in 1382 on the orders of Queen Joanna I's successor, King Charles III.
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