This is a store for those who prefer the old to the new;

who prefer character to shine;

who value owning and using a piece of history.

This is a store for those people and the ones who adore them.

  • The Voluptuous Night, Mary Wilson (Mediterranean Press, Paris, 1957) 6 3/4" X 4 5/8", 167pp, soft bound, poor condition, covers soiled and detached According to James Campbell Reddie, this book is a translation of "La Nuit Merveilleuse" (a pornographic version of Vivant Demon's story "Point de Lendemain", 1777). It was published by various people including George Cannon c. 1830. This edition is a paperback from Paris in 1957. The back cover reads "Not to be imported into the United Kingdom or the U.S.A"
  • The Satyricon of Petronius Arbiter, Gaius Petronius, trans. ascribed to Oscar Wilde (Privately Printed, 1928, Limited Edition of 1200 unnumberd) 9" X 6 1/4", 236pp, Brown spine with gilt titles (mostly worn off), decorated boards with green and gilt. Deckle bottom and fore edges, top edge inked purple. Fair copy, spine cocked, binding and boards good, corners worn. Satyricon (or Satyrica) is a Latin work of fiction in a mixture of prose and poetry (prosimetrum). It is believed to have been written by Gaius Petronius, though the manuscript tradition identifies the author as a certain Titus Petronius. Classical scholars often describe it as a "Roman novel", without necessarily implying continuity with the modern literary form. The surviving portions of the text detail the misadventures of the narrator, Encolpius, and his lover, a handsome sixteen-year-old boy named Giton. Throughout the novel, Encolpius has a hard time keeping his lover faithful to him as he is constantly being enticed away by others. Encolpius's friend Ascyltus (who seems to have previously been in a relationship with Encolpius) is another major character. It is a rare example of a Roman novel, the only other surviving example (quite different in style and plot) being Metamorphoses of Apuleius. It is also extremely important evidence for the reconstruction of what everyday life must have been like for the lower classes during the early Roman Empire.
  • Percy

    $35.00
    anonymous (Paris, France, nd.) 5.5" X 4.25", 32pp, softcover, good quality for age, illustrated with pornographic photos
  • The Mimes of Herondas, trans. M. S. Buck (Privately Printed for Subscribers, New York, 1921, #919/975) 7" X 4 5/8", 119pp, hardbound no DJ, paper boards with beige cloth spine, top edge gilt, others deckle, good condition, lightly soiled Herodas was a Greek poet and the author of short humorous dramatic scenes in verse, written under the Alexandrian empire in the 3rd century BC. Mimes were scenes in popular life in South Italy and Sicily, written in the language of the people, vigorous with racy proverbs such as we get in other reflections of that region. The Mimes of Herodas have been known to us only since the discovery and publication of the "Kenyon", M. S. Buck, by the British Museum in 1891 (from a parchment containing 7 legible mimes half of the 8th and a fragment of the 9th).
  • Louisville Slugger 125Y, Hillerich & Bradsby Co 33.25", 1.75 wide, tape on handle has been removed. States "Louisville Slugger 25Y, Hillerich & Bradsby Co, Made in the USA, Louisville, KY" "Heartwood" "Official Thin Grip Softball Model 12"
  • Spalding Softball Bat 33", 2" wide, in rough condition, handle and tip chipped/gouged states "Soft Ball | Spaulding Trade Mark | No. S | Air Dried | Made in Canada"
  • Hillerich & Bradsby JL H&B Softball Bat 31", 2" wide "Made in US | Louisville, KY | It's a Louiville"
  • Out of stock
    Louisville Slugger Softball Bat 33", 2.5" wide "Louisville Slugger | 1255 | Hillerich & Bradsby | Made in USA | Louisville, KY | Powerized"
  • The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, Peter Weiss, English version Geoffrey Skelton, verse adaptation Adrian Mitchell, introduction Peter Brook (Atheneum, New York, 1965, stated first american edition) 5.5"x8.5", x+117pp, hardbound, red boards, silver titles on spine, blind stamped title on cover, top-edge inked, near mint condition This is a 1963 play by Peter Weiss originally published in German under the title Die Verfolgung und Ermordung Jean Paul Marats, dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, usually shortened to Marat/Sade. This is the first American version, published in 1965. A "play within a play", Merats/Sade incorporates dramatic elements characteristic of both Artaud and Brecht. It is a depiction of class struggle and human suffering that asks whether true revolution comes from changing society or changing oneself. Peter Ulrich Weiss (1916-1982) was a German writer, painter, graphic artist, and experimental filmmaker of adopted Swedish nationality. He earned his reputation in the post-war German literary world as the proponent of an avant-garde, meticulously descriptive writing, as an exponent of autobiographical prose, and also as a politically engaged dramatist. He gained international success with Marat/Sade, the American production of which was awarded a Tony Award and its subsequent film adaptation directed by Peter Brook. His "Auschwitz Oratorium," The Investigation, served to broaden the debates over the so-called "Aufarbeitung der Vergangenheit" (or formerly) "Vergangenheitsbewältigung" or "politics of history." Weiss' magnum opus was The Aesthetics of Resistance, called the "most important German-language work of the 70s and 80s.
  • Collected Works of Pierre Louys, Aphrodite, Woman and Puppet, The Songs of Billitis, The Adventures of King Pausole, The Twilight of the Nymphs, Sanguines, Psyche, Pierre Louys, Illust. by Harry G. Spanner, trans. by Mitchell S. Buck (Liveright Publishing Corporation, New York, 1932) 5.75" X 7.75", xii+742pp., black boards with gilt nude on cover, gilt and blue titles and decorations on spine, top edge inked, other edges deckled, printed on fine hand-layed paper Pierre Louys (1870 - 1925) was a French poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who "expressed pagan sensuality with stylistic perfection." Mitchell Starrett Buck (February 10, 1887 – May 12, 1959) was an American poet, translator and classical scholar. His volumes of verse and prose poetry were deeply influenced by 1890s aestheticism as well as classical Greek and Roman Literature. Buck’s writing was secondary to his work as a heating engineer, and the money he made professionally allowed him to become a noted book-collector, specializing in first editions, English literature, Greek and Latin classics. Buck’s first book was a translation of Aphrodite by the French decadent Pierre Louÿs (1870-1925). It appeared in 1913, and was “privately printed”, probably at Buck’s expense. It may have been arranged through the Philadelphia bookseller Nicholas L. Brown, who officially became a publisher in 1916, and thereafter issued most of Buck’s output. Between 1916 and 1932, Brown published small editions of poetry, belles lettres, translations, sometimes without his imprint but stating that the title has been “issued privately for subscribers” (in order to evade prosecution for dealing in obscene materials). Such classical erotica is very tame by modern standards, but in the teens and twenties such material was policed by self-appointed authorities such as John S. Sumner of the New York Society for the Suppression of Vice.
  • Out of stock

    Enema

    $30.00
    Enema, artist unknown 5.5"x8", unknown plate, found it inside an unrelated book
  • Ah Loves 'ya 'Deer'", (np. nd.) 4.5" x 3", 8pp., pamphlet, stapled and taped Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • The Radio Salesman, (np. nd.) 4.5" x 3", 8pp., pamphlet, stapled and taped Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • Mae Givitt presents Pete in "No Help Needed", (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • Gertie Gulp presents Needlenose Noonan in "Heavy Duty", (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • Out of stock
    Harold Teen, (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  • Harold Teen, (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
  •  Casanova's Memoirs, by Casanova, Ed. Joseph Monét, illus. Vincente Minnilli (Willey Book Company, New York, 1946) 6.25"x9.25", 290pp, mylar protected DJ with some rips and tears over red boards with gilt lettering, boards loose but holding Giovanni Giacomo Casanova (1725-1798) was an ecclesiastic, writer, soldier, spy, and diplomatist, chiefly remembered as the prince of Italian adventurers and as the man who made the name Casanova synonymous with "libertine." His autobiography, which perhaps exaggerates some of his escapades, is a splendid description of 18th-century society in the capitals of Europe.  As far as I can tell this is the only illustration work done by Vincente Minnelli [obscure at the time but later famous director and husband of Judy Garland].  It was done soon after he moved to New York from Chicago and before he landed a steady job at Radio City Music Hall. In his autobiography he described the work as "in the Aubrey Beardsley style".
  • Warm Suggestions, (Emotion Publishing Co., London - Paris, nd) 16pp., pamphlet, good condition Erotic story and erotic photos.
  • Life is Just a Ball of Cherries, (Fab Publishing Co, nd) 19pp., pamphlet, good condition Erotic story with illustrations
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