• "Devils would often lay hold of men and flog them", artist unknown Print from: Flagellation & the Flagellants. A History of the Rod in All Countries from the earliest period to the present time The Rev. Wm. M. Cooper, B.A. [James Glass Bertram] (John Camden Hotten, London, n.d. [1869] (first edition)) Image: 5.5" x 9", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
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  • Flogging, artist unknown Print from:  Nell in Bridewell: Description of the System of Corporal Punishment (Flagellation) in the Female Prisons of South Germany up to the year 1848 W. Reinhard, trans. W.C. Costello Ph. D. and A. R. Allinson M. A. (Psych Press [New York], 1932) Image: 7" x 10", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
  • Birched Girl, artist unknown Print from: Le pantalon féminin : un chapitre inédit de l'histoire du costume, (Charles Carrington, Librairie Des Bibliophiles Parisiens, 1916, Paris) Image: 6" x 10", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
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  • The Beautiful Madame Lapuchin, Knouted by order of Elizabeth Empress of Russia, artist unknown Print from: Flagellation & the Flagellants. A History of the Rod in All Countries from the earliest period to the present time The Rev. Wm. M. Cooper, B.A. [James Glass Bertram] (John Camden Hotten, London, n.d. [1869] (first edition)) Image: 7" x 10", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
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  • "School in the Last Centuary" by George Grushank Print from: Flagellation & the Flagellants. A History of the Rod in All Countries from the earliest period to the present time The Rev. Wm. M. Cooper, B.A. [James Glass Bertram] (John Camden Hotten, London, n.d. [1869] (first edition)) Image: 10" x 7", high-resolution ink-jet print Paper: 11" x 8.5", your choice of 65lb White or 67lb Ivory Parchment
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  • Riding a Gentleman, artist unknown Print from:  The Modern Eveline; or the adventures of a young lady of quality who was never found out anonymous (Printed for Distribution Amongst Private Subscribers, Paris, 1904 [Miller Brothers, New York, c. 1930]) Image: 6.5″ x 10″, high-resolution ink-jet print Paper: 8.5″ x 11″, 65lb White paper
  • Very Large, artist unknown Print from:  The Modern Eveline; or the adventures of a young lady of quality who was never found out anonymous (Printed for Distribution Amongst Private Subscribers, Paris, 1904 [Miller Brothers, New York, c. 1930]) Image: 6″ x 9″, high-resolution ink-jet print Paper: 8.5″ x 11″, 65lb White paper
  • Woman with Whip, artist unknown Printed from: Memoirs of a Woman of Pleasure or The Life of Fanny Hill John Cleland (Hoboken, np, 1929 [Philadelphia?] limited edition 700 (unnumbered)) Image: 6″ x 9.5″, high-resolution ink-jet print Paper: 8.5″ x 11″, 65lb White
  • Held Down and Birched, artist unknown Print from:  Nell in Bridewell: Description of the System of Corporal Punishment (Flagellation) in the Female Prisons of South Germany up to the year 1848 W. Reinhard, trans. W.C. Costello Ph. D. and A. R. Allinson M. A. (Psych Press [New York], 1932) Image: 7" x 10", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
  • Before Caning, artist unknown Print from:  Nell in Bridewell: Description of the System of Corporal Punishment (Flagellation) in the Female Prisons of South Germany up to the year 1848 W. Reinhard, trans. W.C. Costello Ph. D. and A. R. Allinson M. A. (Psych Press [New York], 1932) Image: 7" x 10", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
  • Girls Reading, artist unknown Print from: Le pantalon féminin : un chapitre inédit de l'histoire du costume, (Charles Carrington, Librairie Des Bibliophiles Parisiens, 1916, Paris) Image: 7" x 9", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
  • Le Pantalon féminin (frontispiece), artist unknown Print from: Le pantalon féminin : un chapitre inédit de l'histoire du costume, (Charles Carrington, Librairie Des Bibliophiles Parisiens, 1916, Paris) Image: 6" x 9.5", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
  • Fanny Hill (Hoboken frontispiece), artist unknown Printed from: Memoirs of a Woman of Pleasure or The Life of Fanny Hill John Cleland (Hoboken, np, 1929 [Philadelphia?] limited edition 700 (unnumbered)) Image: 6″ x 10″, high-resolution ink-jet print Paper: 8.5″ x 11″, your choice of 65lb White or 67lb Ivory Parchment
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  • Tied & Birched, artist unknown Print from:  l'Histoire de Juliette Marquis de Sade (Hollande, 1797) Image: 6" x 9.5", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
  • Bear Lick, by Charles Raymond Print from: Venus in Furs Leopold von Sacher-Masoch, illus. Charles Raymond (Privately Printed for Subscribers Only, New York, 1928) Image: 6" x 10", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
  • Suspended, artist unknown Print from:  l'Histoire de Juliette Marquis de Sade (Hollande, 1797) Image: 6" x 9.5", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
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  • Girl and Tiger, by Charles Raymond Print from: Venus in Furs Leopold von Sacher-Masoch, illus. Charles Raymond (Privately Printed for Subscribers Only, New York, 1928, #523/1250) Image: 6" x 9.5", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
  • Venus in Furs (frontispiece), by Charles Raymond Print from: Venus in Furs Leopold von Sacher-Masoch, illus. Charles Raymond (Privately Printed for Subscribers Only, New York, 1928, #523/1250) Image: 6.5" x 10", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
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  • Photo Album (ca. 1900), 81 photos, 6 themed series: Le Duel (The Duel), La Deception (The Deception), Les Armurea (The Armor), La Soubrette (The Coy Soprano), Le Coucher (Going to Bed), Le Bain (The Bath), no date, no photographer, no publisher. 7.25" x 5.5", 87pp unpaginated, no boards, signatures with rivets (no longer holding) and taped together. 81 photos are grouped into 6 "photo stories". The only other marking is on the second photo and reads "SADAG, SW" The photos are elaborately staged photo. Each series starts out with the subject(s) fully clothed, but at some point becoming partially undressed. "SADAG" is "Société Anonyme des Arts Graphiques". According to books from England and France they were a "well known Geneva firm of photo engravers". The marking on the photo could mean that the the photos were processed by a member of this organization or it was processed using the techniques developed by this organization. Le Duel (14 photos) portrays a group of ladies at a lunch or tea. They start drinking and fight breaks out resulting in a duel. The duel is, of course, performed topless. In the end the winner consoles the loser. La Deception (15 photos) portrays a woman sitting in her parlor and her table is set for a two. She reads a letter/note which upsets her then angers her. She clears away the extra table setting and starts to drink wine. The more drunk she gets the less clothes she has on. In the last photo she is passed out and there are two cherubs flying around the room. In Les Armurea (11 photos) a woman is admiring two suits of armor. She undresses and puts on one of the suits of armor. La Soubrette (15 photos, roughly translated as "The Coy Soprano") a maid is cleaning up a woman's dressing room. She decides to play the soprano. She undresses, lets her hair down, uses the brush and puts on a fancy dress. Le Coucher (16 photos, "Going to Bed") is a photo story about a woman preparing for bed. Le Bain (10 photos, "The Bath") a woman prepares for and takes a bath.
  • De Figuris Veneris, suite de 19 gravures en couleurs et un frontispice, Paul Avril, np. nd., [Charles Hirsch, Paris 1906] 11"x9" portfolio book with frontispiece with 19 loose hand-colored lithographs (10.5"x8.5") each with tissue guard describing scene and page where they are to be inserted into book. String ties intact. Soiling and rip to frontispiece on cover and some rips and soiling on inner flaps that hold the artwork.  Lithographs are in good+ condition some minor soiling on paper but not on the art. Previous owner's inscription on inside front board, "Le H. Avril 1938 | Toulouse | G. A France's" When publishers sold books in the early 19th century, they often sold the illustrations separately.  These illustrations are for F.K. Forbergs Manuel d'Erotologie Classique (de Figuris Veneris) [Charles Hirsch, Paris 1906]. These (and the illustrations he did for Carrington's Fanny Hill) are the most explicit, rare, and sought after illustrations by Paul Avril. Most copies of Manuel d'Erotologie Classique have a combination of black, red, or sepia monochromatic illustrations.  I have yet to find a copy of the book with all 19 hand-colored illustrations.  The only lithograph prints of this work I've seen have been black & white (probably ripped out of books).  This is the only "un-inserted" loosely bound portfolio of the hand-colored lithographs I have found anywhere. Édouard-Henri Avril (1849-1928) used the pseudonym "Paul Avril" for his erotic work. He was a French painter and commercial artist. His career saw collaboration with influential people like Octave Uzanne, Henry Spencer Ashbee and Friedrich Karl Forberg. He is one of the most celebrated erotic artists of his age. Avril was a soldier before starting his career in art. He was awarded with the Legion of Honour for his actions in the Franco-Prussian War.
  • Ex Libris (name in Cyrillic) V. Noscov unknown origin, purchased from a collection in Italy woman tied to large "K" with arrows having missed her, soldier in the distance.  Ex Libris name is in Cyrillic. "V. Noscov" written on back in pencil.
  • Ex Libris Rethy Istvan by K. S. Kozlowsky purchased from a collection in Italy, back is stamped "Ex Collection, RETHY Istvan, BUDAPEST" and "Kozlowsky" written in pencil topless woman with a bird landing in her hand.
  • Ex Libris Jussi Avonius, by Hugo Hiibus purchased from a collection in Italy, "Hugo Hiibus | estonia" written on back in pencil Humourous man in knee deep water wearing an lifebuoy/life preserver. Hugo Hiibus (born in 1929) is a popular Estonian cartoonist and personality. He studied at the Estonian State Institute of the Arts, graduating in graphic art. From 1955-1957 he worked in the newspaper People's Voice, and in 1957-1959 in the journal Pikker as an artistic editor. In the years 1972-1984 he worked in the editorial office of the Kodumaa newspaper. He was a member of the ENSV Art Foundation (1961). His first cartoon appeared at the Institute in 1950. Hiibus has been an active exlibris and poster artist and a bookmaker. The cartoons of Hugo Hiibus have been published in almost all editions published in Estonia. Hiibas is both a member of the Estonian Artists' Union (1960) and a Journalist Association (1958). He is also a member of the Board of the Estonian Humor Union.
  • Ex Libris (name in Cyrillic) by W. Twardowska unknown origin, purchased from a collection in Italy, "W. Twardowska \ Polksa" written in pencil on back. naked woman dancing with a ship behind her
  • Ex Libris Dr. Hans Joachim Bandilla by A Mistetski purchased from a collection in Italy, "A Mistetski USSR, 1983 x3" written on back torso of a woman as a body of land (island)
  • Ex Libris M. De Filippis by Constante Constantini 4.5 x 5.25", purchased from a collection in Italy, "Constantini, Italia, x/3, 1987" stamped on back Naked man playing a harp while naked dancers encircle him. One of the most important (and largest) collections of ex libris in the world belongs to Mario De Filippis, the owner of Buca di San Francesco restaurant in Arezzo Italy. He has over 130,000 ex libris in his collection, approximately 13,000 are personal ex libris plates he's commissioned from artists all over the world using a multitude of printing techniques.  His website describes Mario as "a passionate lover of small graphics".
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    Ex Libris Dr. Dzurilikowsky by Krystyna Wojcik purchased from a collection in Italy, "Krystyna Wojcik" written in pencil on back Naked woman's torso combined with an orchid
  • Ex Libris Giuseppe Cauti, by Mark Severin purchased from a collection in Italy, Original woodcut.  "xilografta originale di Mark Severin - Belgio -" stamped on back Naked woman and Pan
  • Out of stock
    Ex Libris Giuseppe Cauti, by Franco Rognoni purchased from a collection in Italy. Naked woman being admired by men in top hats. Franco Rognoni (1913-1999) was an Italian artist and illustrator  
  • Ex Libris (name in Cyrillic) by Boris Levichi unknown origin, purchased from a collection in Italy, "Boris Levich" written in pencil on back. naked woman riding Pan
  • Ex Biblioteca Erotica LS woman sitting on shoulder of a "cock" face
  • D'Accord Ex Libris Erny Camen, by Franz von Bayros paper size 4.75 x 6.25", print size 3.25 x 4.5" topless woman and two children lounging on a long line of erect penises, unknown signature in lower right corner not seen in other copies Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
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    Ex Biblioteca Erotica Gerhard Wunderlich, by Franz von Bayros naked woman with cane, holding it against erect penis, remnants of pastedown at top of back Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
  • Ex Biblioteca Erotica Artur Wolf, by Franz von Bayros paper size 5.5 x 6.25", print size 3.5 x 4" topless women with large hat and a crop under her right arm, walking(?) a large penis Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
  • Ex libris Sussy de Coiquard, by Franz von Bayros paper size 5.5 x 6.25", print size 4.25 x 5.25" naked girl entertaining Pan(?), with peacock and other birds Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
  • Ex Libris Artur Wolf, by Franz von Bayros paper size 6.25 x 7.25", print size 5 x 5.75", on hand laid paper three naked girls Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
  • bookplate, by Franz von Bayros paper size 5.5 x 6.5", print size 4 x 4.5", on hand laid paper naked girl, animals, and child Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
  • Femina Hominis Voluptati Crucifigata, Ex Bibliotheca Erotica Dr. J. Klueber, by Franz von Bayros paper size 5.5 x 6.25", print size 3.5 x 3.5" Topless handcuffed woman consoling naked girl nailed to cross. "Femina Hominis Voluptati Crucifigata" is possibly latin for "the woman is man's pleasure crucified"? The detail in this print is magnifying-glass-worthy as there are copulating couples at the top of the columns. Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
  • Ex Libris, by Franz von Bayros paper size 4.75 x 5.5", print size 3.5 x 4" naked woman sitting in a tree being "intimate" with monkey, other monkeys trying to pull him away from her. Very detailed and ornate. Franz von Bayros (1866 – 1924) was an Austrian commercial artist, illustrator, and painter, now he is best known for his erotic work. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. At the age 17, Bayros passed the entrance exam for the Vienna Academy with Eduard von Engerth. Bayros mixed in elegant society and soon belonged to the circle of friends of Johann Straub, whose step daughter Alice he married on 1896. The next year, Bayros moved to Munich. In 1904, Bayros gave his first exhibition in Munich, which was a great success. From 1904 until 1908, Bayros traveled to Paris and Italy for his studies. Typically, for an artist dealing with such imagery, von Bayros produced work under several pseudonyms, most notably Choisy Le Conin, and was hounded by authorities for much of his life for his “indecent” art often very imaginative, and including such taboo subjects as sadomasochism and bestiality. He became equally well-known for his masterly drawn figures of elegant modestly nude and non-nude women.
  • Out of stock

    Enema

    $30.00
    Enema, artist unknown 5.5"x8", unknown plate, found it inside an unrelated book
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