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Out of stockFid from India 13.5" long, 1.5" at widest part, unknown wood, with original rope A fid is a conical tool made of wood or bone. It is used to work with rope and canvas in seamanship. A fid is used to hold open knots and holes in canvas or to open the "lays", or strands of rope, for splicing.
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Out of stockWhite Rebenque 23" long, flap is 12", white leather with rawhide/sinew stitching and decorations, slight yellowing from age. Beautiful hand-made white leather rebenque 50+ years old. It has decorative rawhide work on the handle and on the strap, using two colors of rawhide. The handle is textured by wrapping a wet cord around it, leaving an imprint on the leather. Rebenque is the name in Brazilian Portuguese for a type of whip used by gauchos in South America. Especially in Argentina, it is the traditional riding, fighting, and punishing whip of the gaucho. It consists of a rawhide wrapped wooden handle with a thong made of a leather strap a little longer than the handle. The wide strap made the rebenque an instrument less severe on the horse than the European riding crop. As the gaucho was never far from the horse, the rebenque was always on him. When not in use, he made a knot with the strap and held the rebenque lazily by the wrist strap with the middle fingers of his hand, or hung it from the handle of his facón knife (as he used the large knife almost horizontally at his back, held by the belt or waistband, the handle protruded from his right side). The rebenque was used also for fighting, as a weapon by itself, when the fight did not merit a knife, or with the strap rolled on his left hand and the handle hanging, as a secondary weapon to the knife in his right hand. Of course, it was also used for domestic punishments, and for quasi-judicial chastisement. A couple of lashes with the rebenque on the bare legs were widely used as a punishment for children, even in the urban areas.
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The Love Books of Ovid, A Completely Unexpurgated and Newly Translated Edition by Charles D. Young | Together with the Elegie, Translated by Christopher Marlowe | Illustrated by Alexander King "This book, designed by T. Spencer Hutson, was printed at the Alexander Hamilton Press, in March 1930. Illustrations are reproduced by the Knudson process. This edition consists of Two Thousand numbered copies printed on Strathmore MELDON deckle edge laid paper. This copy is No. 361" (Privately Published for Subscribers, Art Studio Books, Inc., 1930, #361/2000) 6.25"x9.5", iii+302pp, 3/4 black cloth over marbled boards, gilt text and decorations on spine, gilt borders on covers, marbled pastdowns, top edge gilt, other edges deckled, frontispiece and 16 full-page illustrations with descriptive tissue guards, other illustrations and titles in orange within text, near fine copy, slight rubbing at top and bottom of spine. This is a beautiful edition of 5 of his works, Ars Amatoria ("The Art of Love"), Remedia Amoris ("The Cure for Love"), Amores ("The Loves"), Medicamina Faciei ("dye on the face"), and his Elegies Publius Ovidius Naso (43 BC – AD 17/18), known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. He enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, "a poem and a mistake", but his discretion in discussing the causes has resulted in much speculation among scholars. The first major Roman poet to begin his career during the reign of Augustus, Ovid is today best known for the Metamorphoses, a 15-book continuous mythological narrative written in the meter of epic, and for works in elegiac couplets such as Ars Amatoria ("The Art of Love") and Fasti. His poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology. Alexander King (1899–1965), born Alexander Koenig in Vienna, was a bestselling humorist, memoirist and media personality of the early television era, based in the United States. In his late fifties, after becoming a frequent guest on the a Tonight Show hosted by Jack Paar, King emerged as an incongruous presence in the realm of national celebrity: an aging, irascible raconteur, with elegant mannerisms and trademark bow-tie, who spoke frankly and disarmingly about his bohemian lifestyle, multiple marriages, and years-long struggle with drug addiction. His checkered past led TIME magazine to describe him as "an ex-illustrator, ex-cartoonist, ex-adman, ex-editor, ex-playwright, ex-dope addict. For a quarter-century he was an ex-painter, and by his own bizarre account qualifies as an ex-midwife. He is also an ex-husband to three wives and an ex-Viennese of sufficient age (60) to remember muttonchopped Emperor Franz Joseph. When doctors told him a few years ago that he might soon be an ex-patient (two strokes, serious kidney disease, peptic ulcer, high blood pressure), he sat down to tell gay stories of the life of all these earlier Kings."
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Out of stockFanny Hill print "Kissing me in every part, the most secret one so far excepted that it came in for most of that homage." 6 x 8", hand colored This print came from someone's private collection. The rest of the prints I have from this estate are also from various editions of Fanny Hill by John Cleland. I'm unsure of the edition but this seems to be a print from the 1920-30s and hand colored.
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Fanny Hill print "Then, taking the fine handle that so invitingly offered itself, she led the youth to the bed." 6 x 8" This print came from someone's private collection. The rest of the prints I have from this estate are also from various editions of Fanny Hill by John Cleland. I'm unsure of the edition but this seems to be a print from the 1920-30s.
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Out of stockFanny Hill print 5.5 x 8.25" This print came from someone's private collection. The rest of the prints I have from this estate are also from various editions of Fanny Hill by John Cleland. Print is by "PIZAN" and is possibly from a 20-30s edition printed clandestinely in NY.
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<strong>The Kama Sutra of Vatsyayana | Translated from the Sanscrit by The Hindoo Kama Shastra Society | Complete in seven parts with Preface, Introduction, and Concluding Remarks | Illustrated</strong>, by Vatsyayana (Printed for the Society of the Friends of India 1883-1925, Benares-New York, one of 800, unnumbered) <em>6"x9", xxi+175pp, hardbound, blue boards, hand laid paper, top-edge gilt, others deckled, 8 B/W half-tone reproductions of erotic Hindu stone-sculptures with tissue guards, soiling on boards, inner pages are clean, binding is good.</em> Attributed to ancient Indian philosopher Vatsyayana, the Kama Sutra is generally believed to have been composed between 400 and 200 B.C.E. Although a portion of the work consists of practical advice on sexual intercourse, the work is primarily prose consisting of 1250 verses distributed over 36 chapters structured into seven parts. This book lists those parts as: Part I. Index, and General Consideration of the Subject Part II. Of Sexual Union Part III. About the Acquisition of a Wife Part IV. About a Wife Part V. About the Wives of Other People Part VI. About Courtezans Part VII. On the Means of Attracting Others to Oneself
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Out of stockVenus in Furs, Leopold von Sacher-Masoch, illustrated by Charles Raymond [trans. Fernanda Savage] (Privately Printed For Subscribers Only, New York, 1928) 218pp, hardbound with slipcase, blue faux sued boards, white spine with gilt titles, deckled edges, dark blue slipcase with orange title on spine, very good condition for age, slipcase bumps and rubbing repair to bottom of spine, book clean, pages in unread condition with some remaining uncut Venus in Furs (German: Venus im Pelz) is a novella by Leopold Ritter von Sacher-Masoch (1836-1895), an Austrian writer and journalist. It is now his best known work and because of its themes the term masochism is derived from his name, coined by the Austrian psychiatrist, Krafft-Ebing. The novel was to be part of an epic series that Sacher-Masoch envisioned called Legacy of Cain. Venus in Furs was part of Love, the first volume of the series. It was published in 1870. The novel draws themes, like female dominance and sadomasochism, and character inspiration heavily from Sacher-Masoch's own life. Wanda von Dunajew, the novel's central female character, was modelled after his mistress Baroness Fanny Pistor. In December 1869 the two signed a contract making him her slave for a period of 6 months. In 1873, after the publication of Venus in Furs, Sacher-Masoch married Aurora von Rümelin who he pressured to continue the lifestyle he wrote about in his book. After 10 years they divorced. Rümelin, using the pseudonym of the books title character, "Wanda von Dunajew", wrote Meine Lebensbeichte (My Life Confession) published in 1906. It detailed Sacher-Masoch's private life and her relationship with him. During his lifetime, Sacher-Masoch was well known as a man of letters, a utopian thinker who espoused socialist and humanist ideals in his fiction and non-fiction. Most of his works remain untranslated into English. Until recently, his novel Venus in Furs was his only book commonly available in English.
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(2 x 2") + (2 3/4 x 3 1/4") Shackles (matched pair ankle/wrist) Antique hand-forged iron shackles from a farm in Bulgaria. They have been cleaned up and seasoned much like you'd season your cast iron skillet (repeatedly coated with oil and baked). No key is needed as they lock using a puzzle design.