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The Great Big Man from South, Staring Barney Google, (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This parodies "Barney Google and Snuffy Smith" an widely read (even today) comic strip that has been around since 1919. This booklet features an unrelated erotic illustration on the back.
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Katherine Hepbern in "Belle of the Hills", (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
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Barney Google in "Steam Cleaned and Pressed", (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This parodies "Barney Google and Snuffy Smith" an widely read (even today) comic strip that has been around since 1919.
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The Photographer, (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
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Ginger Rogers in "Hot Panties", (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
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John Putz presents Daddy Warbucks in It's a Small World, (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
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The Little King in Every Man for Himself, "by Fyst Phrigger" (n.p. n.d.) 4.5" x 3", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
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Acting in Private "An Old Old Story", (The London Press, London England, n.d.) 4.5" x 3.5", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
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Acting in Private "An Old Old Story", (The London Press, London England, n.d.) 4.5" x 3.5", 8pp. pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s.
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Out of stockThe Pleasure Primer, a rare collection of intimate entertainment...a guide to fun and revelry...a primer for hale and hearty living, Ed. Walter S. Keating, Illus. Alton Pickens (Plaza Book Company, New York, 1943) 8" x 5.5", 128pp., soft covers, near fine condition. From the ad: "No woman is safe (or really wants to be) when a man’s mind is in the bedroom. See the tempting, puffed-up featherbed to be despoiled! Hear the irrepressible squeals of pleasure! Those to whom bedtime has come to mean “bed and bored” will find “bed and better” . . . Thousands are now enjoying Rollicking Bedside Fun, and you will too, when you possess this ideal bedside companion. Here’s entertainment for open minds and ticklish spines. Here’s lusty, merry recreation for un-squeamish men and women. Here’s life with apologies to none. Collected, selected from the best there is, this zestful Primer is an eye-opener … YOU ARE INVITED TO EXAMINE THE PLEASURE PRIMER 10 DAYS AT OUR EXPENSE. IT IS GUARANTEED TO PLEASE OR YOUR PURCHASE PRICE WILL BE REFUNDED AT ONCE!" This is a collection of articles and reprints of stories by noted authors throughout history from Boccaccio to Twain.
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Out of stockClives Revenge, (Phedrin Publishing Company, Havana, Cuba) 8.25" x 5.5", 32pp., pamphlet, good condition
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Three Times a Woman, Grushenka, anonymous [possibly Val Lewton?], illus. "a young Russian residing in Paris, who unfortunately must remain anonymous" (Privately Printed, London [New York], 1933) 9" X 7", 252pp, hardbound no DJ, red boards with gilt title on cover and spine, good condition, minor wear and bumping. Title page reads: "The Story of a Russian Serf Girl Compiled from Contemporary Documents in the Russian Police Files and Private Archives of Russian Libraries" Originally published at New York in 1933 with a false Paris imprint. Val Lewton, the supposed author, was a well known film producer, responsible for a series of good low-budget horror movies in the 1940's by such directors as Robert Wise, Mark Robson and Jacques Tourneur. The book purports to be a flaggelation story written by a Russian living in Paris and then translated to english. The story takes place c. 1728, "shortly after the death of Peter the Great". The main character is Grushenka Pavlovsk. This edition is complete with very explicit illustrations.
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Berna Pantz Presents Blondie in "Lonely" / Moon Mullins in "Nerts", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
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Berna Pantz Presents Blondie in "Lonely" / Moon Mullins in "Nerts", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
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George and Harry in "Doing Things" / Iva Snatch Presents Ella Cinders in "Such a Grief", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
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J. Wellington, Wimpy in "Back to his First Love" / That's My Pop, (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
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The Frigidaire Salesman / Iona Douche-Bag Presents Tillie in "Foul Ball", (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
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Elmer in "Bad Boy" / Dixie Dugan in Artists and Models, (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
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V Fuzzynuts Presents Barney Google in Horse Flesh / Letta Laye Presents Ella Cinders, (n.p., n.d.) 5" x 3.5", 8pp. double pamphlet, stapled Tijuana bibles (also known as eight-pagers, bluesies, gray-backs, Jiggs-and-Maggie books, jo-jo books, Tillie-and-Mac books, and two-by-fours) were little pornographic comic books produced in the United States from the 1920s to the early 1960s. This book is two books in one, featuring reprints of the originals printed on both sides of the paper. Flip the book over and it's a different book.
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Aphrodite, a novel of ancient manners, by Pierre Louÿs, illus. Ed. Zier (Charles Carrington, 1906, first edition thus, first English translation) 5.25 x 8", 412pp, full green moroccan, gilt lettering and decoration on spine and borders, 5 raised bands, gilt edges, gilt decorations boardering pastedown, near fine condition, some cracks in the hinges. Pierre Louys (1870 - 1925) was a French poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who "expressed pagan sensuality with stylistic perfection." "Aphrodite: mæurs antiques" (Ancient Manners) is a "libertine" story set in ancient Alexandria. Highlights include the loves of Chrysis, an orgy banquet ending in the crucifixion of a slave, the love of two young musician girls and the festivals of Aphrodite. "This Translation of Aphrodite was executed on the Printing Presses of Charles Herissey, at Evreux (France), for Mr. Charles Carrington, Paris, Bookseller et Publisher, and is the only complete English version extant." A beautiful example of this important first edition of the first translation. Very hard to find in full leather. Édouard François Zier (1856-1924) was a French illustrator and painter.
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Photo Album (ca. 1900), 81 photos, 6 themed series: Le Duel (The Duel), La Deception (The Deception), Les Armurea (The Armor), La Soubrette (The Coy Soprano), Le Coucher (Going to Bed), Le Bain (The Bath), no date, no photographer, no publisher. 7.25" x 5.5", 87pp unpaginated, no boards, signatures with rivets (no longer holding) and taped together. 81 photos are grouped into 6 "photo stories". The only other marking is on the second photo and reads "SADAG, SW" The photos are elaborately staged photo. Each series starts out with the subject(s) fully clothed, but at some point becoming partially undressed. "SADAG" is "Société Anonyme des Arts Graphiques". According to books from England and France they were a "well known Geneva firm of photo engravers". The marking on the photo could mean that the the photos were processed by a member of this organization or it was processed using the techniques developed by this organization. Le Duel (14 photos) portrays a group of ladies at a lunch or tea. They start drinking and fight breaks out resulting in a duel. The duel is, of course, performed topless. In the end the winner consoles the loser. La Deception (15 photos) portrays a woman sitting in her parlor and her table is set for a two. She reads a letter/note which upsets her then angers her. She clears away the extra table setting and starts to drink wine. The more drunk she gets the less clothes she has on. In the last photo she is passed out and there are two cherubs flying around the room. In Les Armurea (11 photos) a woman is admiring two suits of armor. She undresses and puts on one of the suits of armor. La Soubrette (15 photos, roughly translated as "The Coy Soprano") a maid is cleaning up a woman's dressing room. She decides to play the soprano. She undresses, lets her hair down, uses the brush and puts on a fancy dress. Le Coucher (16 photos, "Going to Bed") is a photo story about a woman preparing for bed. Le Bain (10 photos, "The Bath") a woman prepares for and takes a bath.
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De Figuris Veneris, suite de 19 gravures en couleurs et un frontispice, Paul Avril, np. nd., [Charles Hirsch, Paris 1906] 11"x9" portfolio book with frontispiece with 19 loose hand-colored lithographs (10.5"x8.5") each with tissue guard describing scene and page where they are to be inserted into book. String ties intact. Soiling and rip to frontispiece on cover and some rips and soiling on inner flaps that hold the artwork. Lithographs are in good+ condition some minor soiling on paper but not on the art. Previous owner's inscription on inside front board, "Le H. Avril 1938 | Toulouse | G. A France's" When publishers sold books in the early 19th century, they often sold the illustrations separately. These illustrations are for F.K. Forbergs Manuel d'Erotologie Classique (de Figuris Veneris) [Charles Hirsch, Paris 1906]. These (and the illustrations he did for Carrington's Fanny Hill) are the most explicit, rare, and sought after illustrations by Paul Avril. Most copies of Manuel d'Erotologie Classique have a combination of black, red, or sepia monochromatic illustrations. I have yet to find a copy of the book with all 19 hand-colored illustrations. The only lithograph prints of this work I've seen have been black & white (probably ripped out of books). This is the only "un-inserted" loosely bound portfolio of the hand-colored lithographs I have found anywhere. Édouard-Henri Avril (1849-1928) used the pseudonym "Paul Avril" for his erotic work. He was a French painter and commercial artist. His career saw collaboration with influential people like Octave Uzanne, Henry Spencer Ashbee and Friedrich Karl Forberg. He is one of the most celebrated erotic artists of his age. Avril was a soldier before starting his career in art. He was awarded with the Legion of Honour for his actions in the Franco-Prussian War.
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Das Dekameron, by Giovanni Baccaccio, illustrated by F. v. Bayros. With a foreword by Hanns Heinz Ewers (Wilhelm Borngräber Verlag, Berlin., 1913) 5.25"x7.5", 612pp + 4 pages of ads, hardcover, half buckram with gilt title and decorations, very good condition. German language of Boccaccio's Decameron with 6 illustrations by Franz von Bayros. The Decameron, (subtitled Prencipe Galeotto or Prince Galehaut), is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death, which was afflicting the city. To make their exile more pleasant each of the ten tells the others one story every day. The Decameron records the narratives of ten days -- 100 stories. Boccaccio probably conceived of The Decameron after the epidemic of 1348, and completed it by 1353. These tales run the entire range of human emotion: grief, love, humor, anger, revenge. Many are based on oral folklore. Boccaccio's ten narrators thus retell already familiar stories about errant priests, rascally husbands, and mischievous wives. Variants of these stories are known in many cultures, but no one formulates them more cleverly or relates them more eloquently than does Boccaccio. In addition to its literary value and widespread influence, it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose.
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The Decameron of Giovanni Boccaccio, Giovanni Boccaccio, trans. Richard Aldington, illustrated by Rockwell Kent (Garden City Books, Garden City, NY, 1949 [date of illustrations]) 9 1/2" X 6 3/8", 562pp, hardbound with DJ (with some rips) protected by mylar, green boards with cream spine, great condition. This is the popular (at the time) Garden City edition. Superb art deco color illustrations throughout by Rockwell Kent (famous illustrator of Moby Dick and others). The Decameron, (subtitled Prencipe Galeotto or Prince Galehaut), is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death, which was afflicting the city. To make their exile more pleasant each of the ten tells the others one story every day. The Decameron records the narratives of ten days -- 100 stories. Boccaccio probably conceived of The Decameron after the epidemic of 1348, and completed it by 1353. These tales run the entire range of human emotion: grief, love, humor, anger, revenge. Many are based on oral folklore. Boccaccio's ten narrators thus retell already familiar stories about errant priests, rascally husbands, and mischievous wives. Variants of these stories are known in many cultures, but no one formulates them more cleverly or relates them more eloquently than does Boccaccio. In addition to its literary value and widespread influence, it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose.
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The Most Pleasant and Delectable Questions of Love, by Giovanni Boccaccio, illus. by Alexander King (Illustrated Editions Company, New York, 1931) 6.5"x9.5", 133pp, red and black boards, binding good, some yellowing to pages. "The translation of 1566 [the fourth part of Filocolo] by H. G. Put into modern English with an introduction by Thomas Bell." This book is 13 chapters of one of Boccaccio's longer works, "Il libro di Difinizioni", first translated into English by "H.G." (probably Henry Grantham) in London, 1566. In these chapters, a group of young people have gone to the country for the day. One of the young women is chosen "The Queen of Love." Each young person tells a love story and poses a question about love. The group answers; there is no right or wrong. But the final arbiter, "The Queen of Love," holds the answers. Giovanni Boccaccio (1313-1375) was an Italian author and poet, a friend, student, and correspondent of Petrarch, an important Renaissance humanist and the author of a number of notable works including the Decameron, On Famous Women, and his poetry in the Italian vernacular. Boccaccio is particularly notable for his dialogue, of which it has been said that it surpasses in verisimilitude that of virtually all of his contemporaries, since they were medieval writers and often followed formulaic models for character and plot. Alexander King (1899–1965), born Alexander Koenig in Vienna, was a bestselling humorist, memoirist and media personality of the early television era, based in the United States. In his late fifties, after becoming a frequent guest on the a Tonight Show hosted by Jack Paar, King emerged as an incongruous presence in the realm of national celebrity: an aging, irascible raconteur, with elegant mannerisms and trademark bow-tie, who spoke frankly and disarmingly about his bohemian lifestyle, multiple marriages, and years-long struggle with drug addiction. His checkered past led TIME magazine to describe him as "an ex-illustrator, ex-cartoonist, ex-adman, ex-editor, ex-playwright, ex-dope addict. For a quarter-century he was an ex-painter, and by his own bizarre account qualifies as an ex-midwife. He is also an ex-husband to three wives and an ex-Viennese of sufficient age (60) to remember muttonchopped Emperor Franz Joseph. When doctors told him a few years ago that he might soon be an ex-patient (two strokes, serious kidney disease, peptic ulcer, high blood pressure), he sat down to tell gay stories of the life of all these earlier Kings."
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The Most Pleasant and Delectable Questions of Love, by Giovanni Boccaccio, illus. by Alexander King (Three Sirens Press, [copyright, Illustrated Editions Company, New York] 1931) 6.5"x9.5", 133pp, gilt top-edge other edges deckled, tan and maroon boards, binding good, some soiling and edges bumped. "The translation of 1566 [the fourth part of Filocolo] by H. G. Put into modern English with an introduction by Thomas Bell." This book is 13 chapters of one of Boccaccio's longer works, "Il libro di Difinizioni", first translated into English by "H.G." (probably Henry Grantham) in London, 1566. In these chapters, a group of young people have gone to the country for the day. One of the young women is chosen "The Queen of Love." Each young person tells a love story and poses a question about love. The group answers; there is no right or wrong. But the final arbiter, "The Queen of Love," holds the answers. Giovanni Boccaccio (1313-1375) was an Italian author and poet, a friend, student, and correspondent of Petrarch, an important Renaissance humanist and the author of a number of notable works including the Decameron, On Famous Women, and his poetry in the Italian vernacular. Boccaccio is particularly notable for his dialogue, of which it has been said that it surpasses in verisimilitude that of virtually all of his contemporaries, since they were medieval writers and often followed formulaic models for character and plot. Alexander King (1899–1965), born Alexander Koenig in Vienna, was a bestselling humorist, memoirist and media personality of the early television era, based in the United States. In his late fifties, after becoming a frequent guest on the a Tonight Show hosted by Jack Paar, King emerged as an incongruous presence in the realm of national celebrity: an aging, irascible raconteur, with elegant mannerisms and trademark bow-tie, who spoke frankly and disarmingly about his bohemian lifestyle, multiple marriages, and years-long struggle with drug addiction. His checkered past led TIME magazine to describe him as "an ex-illustrator, ex-cartoonist, ex-adman, ex-editor, ex-playwright, ex-dope addict. For a quarter-century he was an ex-painter, and by his own bizarre account qualifies as an ex-midwife. He is also an ex-husband to three wives and an ex-Viennese of sufficient age (60) to remember muttonchopped Emperor Franz Joseph. When doctors told him a few years ago that he might soon be an ex-patient (two strokes, serious kidney disease, peptic ulcer, high blood pressure), he sat down to tell gay stories of the life of all these earlier Kings."