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The secret history of the most renowned Q. Elizabeth and the E. of Essex, "By a Person of Quality", ("Printed for R. Wellington, at the Dolphin and Crown in St. Paul's Churchyard, 1708. Where you may be furnish'd with all sorts of Plays.") 3.25"x5.5", in two parts with separate title pages 1-62,63-112pp(of 115?), bound in brown leather, no front or rear endpapers, not illustrated, poor condition, binding and boards are solid but pages soiled and edges tattered, page 111/112 piece torn off, pages 113-155 missing, writing (alphabet letters) near and on part one title page. By the late seventeenth century, Elizabeth's love life became a subject of obsession in England and especially in France. This book is the most famous of the absurd tattle-tale books. It was a translation of Comte d'Essex histoire angloise first published in 1678 by Claude Barbin – a Parisian publisher who edited the works of Molière, La Fontaine, Charles Perrault and Corneille. The earliest translations to english date show up around 1680. Most of them have a false imprint of "Cologne : Printed for Will with the Wisp". Few are seen with this particular imprint. The story was turned into a play and in 1912 adapted as a silent film entitled Les Amours de la reine Élisabeth starring Sarah Bernhardt as Elizabeth.
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L'Amant Salamandre, ou Les Aventures de l'Infortunée Julie,Histoire Veritable, anonymous [Cointreau] , ("Londres, Et se trouve à Paris. Chez Duchesne" 1756, [first edition]) 4"x6.75", in two parts, 132pp, 135pp, Contemporary mottled calf, gilt decorations on spine, marbled boards, in good condition for age, some splitting at spine, but binding good. Julie is the bizarre tale of a young orphan tricked by her wicked governess into believing in magic. The governess delivers the girl to her son, who attempts to seduce her disguised as Salamandre, a magician. The young girl escapes to a convent, only to cross paths with the governess some time later, who once again tries to procure her for her son. 'Salamandre' is attacked by assassins and confesses his mother's crimes on his death bed. The novel was very popular in it's day. Although very popular in it's day, it's a rare find, especially the original 1756 version.
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Some Limericks: Collected for the use of Students, & ensplendour’d with Introduction, Geographical Index, and with Notes Explanatory and Critical, by Norman Douglas (Nicholson and Whitney, Boston, 1942 [most likely published in Paris by Maurice Girodias of Olympia Press, early 1950's, a reprint of the Obelisk Press edition of 1939], stated 616/1000 "printed by The Brownbent Press, Boston, Mass.") 5.5" x 8.25", 117pp, near fine condition, unlabeled soft covers, dust jacket slightly warn at top with paper label "Some Limericks", spine of dust jacket simply reads "poems". Norman Douglas is an English author best known for his 1917 novel, South Wind. However, this particular book of his is one of the most pirated books of it's kind. Unable to find a publisher willing to take it on, Douglas published it himself in 1928. It was published by Oblisk Press in 1939 (said to be the last book secured for the company before Jack Kahane's lifetime). This particular edition was published by Mr. Kahane's son, Maurice Girodias, who inherited his father's press, but changed the name to Olympia Press. It is said that this book has everything, blasphemy, incest, paedophilia, bestiality. Accompanying each limericks are entertaining (if not scholarly) notes explaining the supposed origin and/or circumstances by which the rhymes were procured. So obscene and offensive, even Olympia Press, known for it's erotic literature, chose to publish under a false imprint.
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The Adventures of King Pausole, Pierre Louys, ilustrated by Lotan Welshans ("Privately Printed in a Strictly Limited Edition for Members of The Society of Sophisticates", no date, [c. 1927, the date of the illustrations], [first edition thus]) 9 5/8" X 6 5/8", 305pp, hardbound, no dust jacket, boards green floral pattern, gilt lettering and designs on spine, top edge gilted, other edges deckle, good condition. Pierre Louys (1870 - 1925) was a French poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who "expressed pagan sensuality with stylistic perfection." This book is a humorous and risqué "libertine" story about a king with many wives (one for each day of the year). As part of the story, King Pausole had two laws "1. harm no man. 2. Then do as you please." Spider-webb-patterned tissue coverings on the nine exotic and sensuous plates (gilt on black paper tipped in), by Lotan Weshans.
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Venus in Furs (frontispiece), by Charles Raymond Print from: Venus in Furs Leopold von Sacher-Masoch, illus. Charles Raymond (Privately Printed for Subscribers Only, New York, 1928, #523/1250) Image: 6.5" x 10", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
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Fanny Hill (Hoboken frontispiece), artist unknown Printed from: Memoirs of a Woman of Pleasure or The Life of Fanny Hill John Cleland (Hoboken, np, 1929 [Philadelphia?] limited edition 700 (unnumbered)) Image: 6″ x 10″, high-resolution ink-jet print Paper: 8.5″ x 11″, your choice of 65lb White or 67lb Ivory Parchment
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Before Caning, artist unknown Print from: Nell in Bridewell: Description of the System of Corporal Punishment (Flagellation) in the Female Prisons of South Germany up to the year 1848 W. Reinhard, trans. W.C. Costello Ph. D. and A. R. Allinson M. A. (Psych Press [New York], 1932) Image: 7" x 10", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
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Held Down and Birched, artist unknown Print from: Nell in Bridewell: Description of the System of Corporal Punishment (Flagellation) in the Female Prisons of South Germany up to the year 1848 W. Reinhard, trans. W.C. Costello Ph. D. and A. R. Allinson M. A. (Psych Press [New York], 1932) Image: 7" x 10", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
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Very Large, artist unknown Print from: The Modern Eveline; or the adventures of a young lady of quality who was never found out anonymous (Printed for Distribution Amongst Private Subscribers, Paris, 1904 [Miller Brothers, New York, c. 1930]) Image: 6″ x 9″, high-resolution ink-jet print Paper: 8.5″ x 11″, 65lb White paper
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Riding a Gentleman, artist unknown Print from: The Modern Eveline; or the adventures of a young lady of quality who was never found out anonymous (Printed for Distribution Amongst Private Subscribers, Paris, 1904 [Miller Brothers, New York, c. 1930]) Image: 6.5″ x 10″, high-resolution ink-jet print Paper: 8.5″ x 11″, 65lb White paper
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"School in the Last Centuary" by George Grushank Print from: Flagellation & the Flagellants. A History of the Rod in All Countries from the earliest period to the present time The Rev. Wm. M. Cooper, B.A. [James Glass Bertram] (John Camden Hotten, London, n.d. [1869] (first edition)) Image: 10" x 7", high-resolution ink-jet print Paper: 11" x 8.5", your choice of 65lb White or 67lb Ivory Parchment
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Flogging, artist unknown Print from: Nell in Bridewell: Description of the System of Corporal Punishment (Flagellation) in the Female Prisons of South Germany up to the year 1848 W. Reinhard, trans. W.C. Costello Ph. D. and A. R. Allinson M. A. (Psych Press [New York], 1932) Image: 7" x 10", high-resolution ink-jet print Paper: 8.5" x 11", 65lb White paper
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"Devils would often lay hold of men and flog them", artist unknown Print from: Flagellation & the Flagellants. A History of the Rod in All Countries from the earliest period to the present time The Rev. Wm. M. Cooper, B.A. [James Glass Bertram] (John Camden Hotten, London, n.d. [1869] (first edition)) Image: 5.5" x 9", high-resolution ink-jet print Paper: 8.5" x 11", your choice of 65lb White or 67lb Ivory Parchment
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Venus School-Mistress, or Birchen Sports, anonymous, Preface by Mary Wilson (Birchopolis for the Delectation of the Amorous and the Instruction of the Amateur in the Year of the Excitement of the Sexes. 1917 [this is most-likely a newly rebound facsimile reprint of said edition, np nd]) 6 3/4" X 4 5/8", 167pp, hardbound no DJ, half-leather, very good condition, owner's signature in blue ink. According to Ashbee, this work probably dates to 1808-10 (by R. Birch, Translator of Manon's Memoirs, printed for Philosemus). It also appears in 1820 and then in 1830, published by George Cannon. This seems to be a reprint of a 1927 version. This edition reads "best and only complete edition" and "Reprinted from the edition of 1788 with a Preface by Mary Wilson, containing some account of the late Mrs. Berkeley". Also contained in this edition are The Charm, The Night School, The Beautiful Jewess, The Butcher's Daughter, Moral Reflections, The Questions for Casuists, Betsy Thoughtless and an extensive appendix with many articles about flagellation.
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The Voluptuous Night, Mary Wilson (Mediterranean Press, Paris, 1957) 6 3/4" X 4 5/8", 167pp, soft bound, good condition, some soiling on covers According to James Campbell Reddie, this book is a translation of "La Nuit Merveilleuse" (a pornographic version of Vivant Demon's story "Point de Lendemain", 1777). It was published by various people including George Cannon c. 1830. This edition is a paperback from Paris in 1957. The back cover reads "Not to be imported into the United Kingdom or the U.S.A"
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The Voluptuous Night, Mary Wilson (Mediterranean Press, Paris, 1957) 6 3/4" X 4 5/8", 167pp, soft bound, poor condition, covers soiled and detached According to James Campbell Reddie, this book is a translation of "La Nuit Merveilleuse" (a pornographic version of Vivant Demon's story "Point de Lendemain", 1777). It was published by various people including George Cannon c. 1830. This edition is a paperback from Paris in 1957. The back cover reads "Not to be imported into the United Kingdom or the U.S.A"
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Woman and her Master; an Englishwoman's Adventures in the Madhi's Camp, Jean de Villiot [George Grassal (Hugues Rebell)] (Charles Carrington, Paris, 1904 [printed "Alençon, Imprimerie Veuve Félix Guy et Cie"] stated limited edition 750 copies) 6 3/8" X 5", 301pp, hardbound, red pebbled cloth boards, gilt title on front, no writing on spine, sewn signatures, good condition, some minor bumping and rubbing Jean de Villiot was a pseudonym used by several authors and compilers working for the publisher Charles Carrington writing novels and "studies" concerning flagellation, including Hugues Rebell (Georges Grassal), Hector France, Stéphane Arnoulin and Charles Carrington, himself. This novel is attributed to George Grassal (Hugues Rebell) originally written in French, in 1902, as "La Femme et son maître" (The Woman and her Master). In 1904 "Woman and her Master" was published in English by Charles Carrington. Often these editions were printed unbound and sent to the bookseller to bind to the specifications of their customers. "this book is a witness to the horrors that the power of England has in some degree blotted out by the erection of Schools at Khartoum and Omdurman."
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Jean de Villiot [George Grassal (Hugues Rebell)] (Charles Carrington, Paris, 1904 [printed "Alençon, Imprimerie Veuve Félix Guy et Cie"]) 6 3/8" X 5", 301pp, soft bound, red cloth spine with titling to paper label, orange paper covers, good condition, crease in lower corner of cover and inch tear along gutter's edge, slightly yellow pages
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Black Lust, Jean de Villiot [George Grassal (Hugues Rebell)] (Privately printed by The Panurge Press, Inc., New York, 1931, #365/2000) 8 5/8" X 6", 312pp, hardbound no DJ, cream cloth boards with black stamped decorations, top edge dyed blue, other edges deckle, good condition, slight soiling to boards, binding tight Jean de Villiot was a pseudonym used by several authors and compilers working for the publisher Charles Carrington writing novels and "studies" concerning flagellation, including Hugues Rebell (Georges Grassal), Hector France, Stéphane Arnoulin and Charles Carrington, himself. This novel is attributed to George Grassal (Hugues Rebell) originally written in French, in 1902, as "La Femme et son maître" (The Woman and her Master). In 1904 "Woman and her Master" was published in English by Charles Carrington. Panurge Press published this work as "Black Lust" in 1931. This book is a numbered limited edition copy of the Panurge Press edition.
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The Amatory Adventures of The Lustful Turk | or | Lascivious Scenes from a Harem | faithfully and vividly depicted in a series of letters from a young and beautiful English lady to her cousin in England, Anonymous ("Paris: Privately Printed, 1904" [this is a later facsimile printing, np nd]) The Lustful Turk, or Lascivious Scenes from a Harem is a pre-Victorian British erotic epistolary novel first published anonymously in 1828. (although this edition says it is "signed 10th of April, 1868) However, it was not widely known or circulated until the 1893 edition. The novel consists largely of a series of letters written by its heroine, Emily Barlow, to her friend, Sylvia Carey. When Emily sails from England for India in June 1814 her ship is attacked by Moorish pirates and she is taken to the harem of Ali, Dey of Algiers. The Dey rapes her and subjects her to his will, awakening her sexual passions. Emily's debasement continues when the Dey insists on anal sex, arousing the horror of her correspondent Sylvia, who expresses her indignation at the Dey's behaviour, in a letter that the latter intercepts. Annoyed at her attitude, the Dey arranges for Sylvia to be abducted and brought to the slave market of Algiers. After an elaborate charade in which the Dey pretends to be a sympathetic Frenchman, bidding to save her from sexual slavery, and engaging her in a fake marriage, he deflowers her and awakens her sexuality, as he had done with Emily. Revealing his true identity the Dey enjoys both girls together. This sexual idyll is eventually terminated when a new addition to harem objects to anal rape and cuts off the Dey's penis with a knife, and then commits suicide. Seemingly unfazed by this, the Dey has "his lost members preserved in spirits of wine in glass vases" which he presents to Emily and Sylvia, sending them back to England with these tokens of his affection. The novel also incorporates interpolated stories concerning the erotic misadventures of three other girls abducted into the harem and enlarges on the fate of Emily's maid Eliza who, presented by the Dey to Muzra, Bey of Tunis, is bound, flogged and raped in turn.
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Poetica Erotica, T.R. Smith (editor) (Boni and Liveright, New York, 1921 (Vol. 3, 1922) [limited first edition, #523/1500]) 9 1/4" X 6 1/4", 3 vol. xxviii + 324, xvi + 328, xiv + 280, hardbound with green boards with cream vellum spines, deckle edges, corners bumped and worn, binding is tight, vol. 2 boards slightly loose. T. R. Smith writes "In these volumes Eros rules and Aphrodite guides the passionate motives....The poems contained in these volumes range from the earliest time to the present and the names of the most distinguished poets of yesterday and today will be found in the contents."
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The Satyricon of Petronius Arbiter, Gaius Petronius, trans. ascribed to Oscar Wilde (Privately Printed, 1928, Limited Edition 343/1200 stamped in ink) 9" X 6 1/4", 236pp, black spine with gilt titles (mostly worn off), decorated red boards. Fair copy, boards worn, binding good. Front board loose but holding. Satyricon (or Satyrica) is a Latin work of fiction in a mixture of prose and poetry (prosimetrum). It is believed to have been written by Gaius Petronius, though the manuscript tradition identifies the author as a certain Titus Petronius. Classical scholars often describe it as a "Roman novel", without necessarily implying continuity with the modern literary form. The surviving portions of the text detail the misadventures of the narrator, Encolpius, and his lover, a handsome sixteen-year-old boy named Giton. Throughout the novel, Encolpius has a hard time keeping his lover faithful to him as he is constantly being enticed away by others. Encolpius's friend Ascyltus (who seems to have previously been in a relationship with Encolpius) is another major character. It is a rare example of a Roman novel, the only other surviving example (quite different in style and plot) being Metamorphoses of Apuleius. It is also extremely important evidence for the reconstruction of what everyday life must have been like for the lower classes during the early Roman Empire.
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The Satyricon of Petronius Arbiter, Gaius Petronius, trans. ascribed to Oscar Wilde (Privately Printed, 1928, Limited Edition of 1200 unnumberd) 9" X 6 1/4", 236pp, Brown spine with gilt titles (mostly worn off), decorated boards with green and gilt. Deckle bottom and fore edges, top edge inked purple. Fair copy, spine cocked, binding and boards good, corners worn. Satyricon (or Satyrica) is a Latin work of fiction in a mixture of prose and poetry (prosimetrum). It is believed to have been written by Gaius Petronius, though the manuscript tradition identifies the author as a certain Titus Petronius. Classical scholars often describe it as a "Roman novel", without necessarily implying continuity with the modern literary form. The surviving portions of the text detail the misadventures of the narrator, Encolpius, and his lover, a handsome sixteen-year-old boy named Giton. Throughout the novel, Encolpius has a hard time keeping his lover faithful to him as he is constantly being enticed away by others. Encolpius's friend Ascyltus (who seems to have previously been in a relationship with Encolpius) is another major character. It is a rare example of a Roman novel, the only other surviving example (quite different in style and plot) being Metamorphoses of Apuleius. It is also extremely important evidence for the reconstruction of what everyday life must have been like for the lower classes during the early Roman Empire.
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Nell in Bridewell (Lenchen im Zuchthause), W. Reinhard, trans. W.C. Costello Ph. D. and A. R. Allinson M. A. (Society of British Bibliophiles, Paris, 1900) 8" X 5", 326pp, paperback, good condition, price tag mark on front cover, a tear and some bumping, spine is creased, binding is still good Subtitle: "Description of the System of Corporal Punishment (Flagellation) in the Female Prisons of South Germany up to the year 1848; a contribution to the history of manners." Although the title suggests that this is a "study", it goes beyond the facts and delves into the minds of those who are doing the punishing and those who are being humiliated and punished. Publishers of these "flagellation novels" would often lesson their liability by representing their books as academic studies. Often they would go unnoticed by the larger community unaware of the erotic nature of such a book to a certain segment of the public. In this book, Nell describes in graphic terms the merciless floggings she witnessed of girls and young women, as well as of boys and men and confesses to disturbingly confusing emotions that such sights occasioned in her. She recalls the lustful expressions on the faces of the onlookers, records the fervent words of gratitude to the skillful flogger from the lips of grand ladies who "were only too delighted to see such girls whipped", and tells of the evidently sensual appetites such cruelties incited in the torturers.
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1601 A Tudor Fireside Conversation As Written by the Ingenuous, Virtuous and learned Mark Twain, wit., Embellished by the worthy Alan Odle, Mark Twain, illustrations Alan Odle (Land's End Press, USA, 1969, stated "At London, Printed for Subscribers Only and are to be sold at ye beare Back-Side in Maiden Lane") 12 1/2" X 9 1/2", 24pp (unpaginated), hardbound with dust jacket, blue boards with blue titles, pages, pages printed in such a way that the lower edge is uncut (six folded sheets of paper printed on one side, making up 4 pages) [Date: 1601.] Conversation, as it was the Social Fireside, in the Time of the Tudors is the title of a humorous work by Mark Twain, first published anonymously in 1880. Edward Wagenknecht once referred to it as "the most famous piece of pornography in American literature." Its content is irreverent and vulgar rather than obscene, and its purpose seems to be comedic shock rather than erotic arousal. It would thus qualify as ribaldry rather than pornography. Twain wrote 1601 during the summer of 1876 (between writing Tom Sawyer and Huckleberry Finn), for the amusement of his closest friend, Reverend Joseph Twichell, 1601 was later first published by another friend, John Hay, who later became Secretary of State. The work circulated among printers (due to it's often archaic type font) and many small batches were printed, however the authorship of the work remained unverified until Twain finally acknowledged he wrote it in 1906.
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"1601" or conversation as it was at the fireside in the time of the tudors and sketches old and new by Samuel L. Clemens, Mark Twain, Preface by Samuel Roth (The Golden Hind Press Inc., New York, 1933) 9 1/8" X 6 1/8", 204pp, hardbound no DJ, red cloth boards with gilt decorations and title, fair condition, boards detaching, binding intact, fading on boards and spine [Date: 1601.] Conversation, as it was the Social Fireside, in the Time of the Tudors is the title of a humorous work by Mark Twain, first published anonymously in 1880. Edward Wagenknecht once referred to it as "the most famous piece of pornography in American literature." Its content is irreverent and vulgar rather than obscene, and its purpose seems to be comedic shock rather than erotic arousal. It would thus qualify as ribaldry rather than pornography. Twain wrote 1601 during the summer of 1876 (between writing Tom Sawyer and Huckleberry Finn), for the amusement of his closest friend, Reverend Joseph Twichell, 1601 was later first published by another friend, John Hay, who later became Secretary of State. The work circulated among printers (due to it's often archaic type font) and many small batches were printed, however the authorship of the work remained unverified until Twain finally acknowledged he wrote it in 1906. This book contains 1601 and numerous sketches previously published as "Sketches Old and New"
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Mark Twain's [Date, 1601.] Conversation As it was by the Social Fireside in the Time of the Tudors, Mark Twain, "With an Illuminating Introduction, Facetions Footnotes and a Bibliography by Franklin J. Meine" (Privately Printed for Lyle Stuart, New York, nd [c. 1939]) 9 1/2" X 6 1/4", 80pp, hardbound no DJ with slipcase, red cloth boards with gilt lettering and decoration, book very good condition, slight soiling on spine, slipcover good condition, faded spine and soiled but intact [Date: 1601.] Conversation, as it was the Social Fireside, in the Time of the Tudors is the title of a humorous work by Mark Twain, first published anonymously in 1880. Edward Wagenknecht once referred to it as "the most famous piece of pornography in American literature." Its content is irreverent and vulgar rather than obscene, and its purpose seems to be comedic shock rather than erotic arousal. It would thus qualify as ribaldry rather than pornography. Twain wrote 1601 during the summer of 1876 (between writing Tom Sawyer and Huckleberry Finn), for the amusement of his closest friend, Reverend Joseph Twichell, 1601 was later first published by another friend, John Hay, who later became Secretary of State. The work circulated among printers (due to it's often archaic type font) and many small batches were printed, however the authorship of the work remained unverified until Twain finally acknowledged he wrote it in 1906.
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My Secret Life, anonymous (Grove Press, Inc., New York, 1966 [first edition thus, first printing]) 9 1/4" X 6 1/4", 2 vol. 1291pp 1069pp [2nd vol. numbered 1291-2359], hardbound with dust jackets (with protector) and slip case, very good condition, very slight sunning on slip case, Ex Libris Robert Kintzler My Secret Life, by "Walter", is the memoir of a Victorian gentleman's sexual development and experiences. Between approximately 1883 and 1895, someone, presumably an Englishman of means, had printed on the Continent an eleven-volume sexual autobiography limited, so he thought, to just six copies. Who the printer or publisher was has not been established with certainty but the most likely possibility is Auguste Brancart, a prolific publisher of erotica who began his career in the early 1880's in Bruxelles and toward the end of the decade moved to Amsterdam. Interestingly, the original title page of My Secret Life has 'Amsterdam. Not for Publication' on it but in the sub rosa world of erotica publishing such indications are to be taken with a pinch of salt. The scarcity of the first edition of My Secret Life has been overstated; it certainly is a rare book. More than six copies, as ordered, were undoubtedly run off. From the number that have reliably been reported to exist, the number appears to have been in the region of twenty to twenty-five sets. Aleister Crowley was supposed to have had one, as well as the silent film comedian Harold Lloyd and Joseph von Sternberg, Marlene Dietrich's director and one-time lover. Charles Reginald Dawes, the last great English collector of erotica, had two sets, one of which was destroyed the the British Customs and the other going eventually to the British Library in 1964. Lord Louis Mountbatten's brother, the 2nd marquess of Milford Haven, certainly possessed a copy for it exists currently in a fine London collection and contains his bookplate. There is a copy in Geneva, another in Hamburg and at least two in New York. Two attempts to publish a reprint in the United States in the 1930's failed due to police action. The first, which began about 1932, followed the original edition as to title and imprint and got as far as volume three before the project was shut down. A copy with 100 original water colors by Clara Tice was auctioned by Parke-Bernet at New York in 1971. A second attempt took place about two years later, with a single volume called Marital Frolics (London [New York or Philadelphia]: For Distribution by Subscription Only [c. 1934]). This constituted an abridgment of volume 5, and was illustrated with ten plates by 'Malay.' A copy was likewise auctioned by Parke-Bernet in the same sale. The Grove Press reprint of 1966 is the first complete edition to be openly available. It was prepared from an eleven-volume typescript made directly from the copy in Hamburg referred to above. All subsequent reprints stem, legally or otherwise, from this. Gershon Legman's Introduction to the Grove Press reprint is a mine of fascinating information, and includes a closely argued case for My Secret Life having been written by Henry Spencer Ashbee, the famous Victorian bibliographer and collector of erotica. The present compiler is unable to share this view, but thinks it likely that Ashbee was involved in seeing it through the press on behalf of somebody else. This book is often wrongly attributed to Frank Harris, through confusion with My Life and Loves, which is a similar (although not as explicit) account of Harris' life. A number of reprints followed the Grove Press edition, including one published by Brandon House of North Hollywood and Pendulum Books of Atlanta, Georgia and a complete French translation.
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Odes of Anacreon, Anacreon, trans. Thomas Moore (J. and T. Carpenter, London, 1802) 6 1/2" X 4 1/4", 2 vol. 163pp 148pp, hardbound in red morocco with gilt lettering and decorations, gilted edges, marbled boards, worn edges and corners befitting it's age, binding tight, ribbon markers intact. Armorial bookplate of british judge, Geoffrey Lord Cross of Chelsea on front pastedowns Anacreon (582 BC _ 485 BC) was a Greek lyric poet, notable for his drinking songs and hymns. Later Greeks included him in the canonical list of nine lyric poets. Thomas Moore (1779 _ 1852) is considered Ireland's "National Bard". He was a poet, singer, songwriter, and entertainer. He was responsible, with John Murray, for burning Lord Byron's memoirs after his death. These books are the second edition (original edition published in 1800) of his first work, a translation that he did at Middle Temple where he studied law. In his lifetime he was often referred to as Anacreon Moore.
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Merryland, Thomas Stretzer (Privately Issued, New York, Robin Hood House, 1932) 9 3/8" X 6 1/8", 136pp, hardbound no DJ, decorative paper boards, silver gilt lettering on spine, very good condition The Merryland books were a somewhat peculiar genre of English seventeenth and eighteenth century erotic fiction in which the female body was described in terms of a topographical metaphor derived from a pun on Maryland. Stretzer's book is typical of the genre in depicting the female body as a landscape that men explore, till, and plow. For example, he writes: "Her valleys are like Eden, her hills like Lebanon, she is a paradise of pleasure and a garden of delight."
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Merryland, Thomas Stretzer (Privately Issued, New York, Robin Hood House, 1932) 9 3/8" X 6 1/4", 136pp, hardbound no DJ, decorative paper boards with mylar protector, flower design, gilt lettering on spine, very good condition The Merryland books were a somewhat peculiar genre of English seventeenth and eighteenth century erotic fiction in which the female body was described in terms of a topographical metaphor derived from a pun on Maryland. Stretzer's book is typical of the genre in depicting the female body as a landscape that men explore, till, and plow. For example, he writes: "Her valleys are like Eden, her hills like Lebanon, she is a paradise of pleasure and a garden of delight."